This seemingly simplistic device fails to drive the intended effect instead does the film a great disservice by dis-engaging the viewer from the central events bringing undue attention to the process and the character. The varieties of twists are enmeshed with a variety of angles the film takes and it tries to simplify it all by taking the safest route, the all-knowing voiceover. The director knows what he wants to say, and explores different ways of doing so well within his means.Īlas, in the process this exploration does affect the engagement of the viewer with the film. To say it has done justice to it would be generous as it does affect pace and congruity but neither is the effort at inter-lacing amateurish. Some very good acting skills by the principal cast Abhay Deol, Gul Panag, Raima Sen and also supporting actors like the versatile Vinay Pathak, Khulbhushan Kharbanda and Sarika lend the grace, that engages where the pace lets down the audience.Īnother factor in the seeming tardiness of the tempo is the crunching of twists and edging of human and social issues within the film. It is to the credit of the screenplay and visual treatment that the suspense and interest are sustained but it would have been advantageous for the film if it had been a little faster.
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By far it is this treatment that makes the film more slow-paced than it is necessary. The narrative technique of realism gets a face-lift in this show-it-as-it-is film about things that do not seem what they are.īut the fate of this superb realism remains to be seen with a desensitised audience used to seeing the gloss and polish of Bollywood. Cinematography brilliantly supports the treatment with its adequate play of light and shade and encompassing the vistas of a small town in expansive frames.
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Stark but not shocking, sparse but not vacant, moody but not dreary, this air permeates the film defining its central personality. But what stands out in its striking nature is the tone the director has lent the small town of Lakhot, extending it to the treatment of relationships, characters and even thrills. Although, the flow could have been tighter and resolutions could have been less convenient, the writing is definitely clever. A strong script with a good screenplay and well-rounded characters make for a meaningful and engrossing watch.
#Film manorama six feet under plus#
The film has a number of plus points to it’s credit that complement the narration within its genre. The lessons and morals that are thrown up in the follow-up to these events ultimately form the rest of the film and is the take-home as well.
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The charade which begins as an exercise in self-expression soon becomes a tangled web of deceit, lies, murder in the murky world of power where nothing seems what it is. An offer to play real-life detective by Manorama (Sarika) calls out to his latent desire to indulge in his true interests. job and who finds the disuse of his creative instincts frustrating.
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Satyaveer is a failed detective fiction writer who is stuck in a Govt. Manorama… is set in a small town of Rajasthan, Lakhot and revolves around the character Satyaveer Singh played superbly by Abhay Deol. The film is not only well-crafted but also efficiently handled, credit for which goes to Navdeep Singh who is the writer-director of the film. Cast: Abhay Deol, Gul Panag, Raima Sen, Vinay Pathak, Khulbhushan Kharbanda and Sarikaįirst works are always measure of a maker’s talent as well as experience…and the directorial debut of director Navdeep Singh clearly signals that he is no novice in film-making.Īn account of a failed writer trying to find his voice again, Manorama: Six Feet Under is a suspense thriller in the film noir genre that makes for a lucid and engrossing watch.